The Sigma fp is designed as the “smallest and lightest body possible” with which one can express their creative ideas at any moment, paired with a full-frame sensor that is perfect for serious occasions, all without compromising on image quality. It also boasts superb build quality, making it the ideal linchpin of a high-performance lens system.
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The Sigma fp is designed as the “smallest and lightest body possible” with which one can express their creative ideas at any moment, paired with a full-frame sensor that is perfect for serious occasions, all without compromising on image quality. It also boasts superb build quality, making it the ideal linchpin of a high-performance lens system.
An “open system” that allows one to pair the camera with not only Sigma lenses but also other lenses and accessories, whether from Sigma or other brands, using a variety of attachments, complete with “ultimate versatility and scalability” that makes the camera adaptable to any scenes.
A “highly intuitive UI” that allows one to move between full-fledged still and video shooting modes with just one finger, making for a “seamless and truly creative tool” that goes beyond style and genre differences.
The world’s smallest and lightest full-frame mirrorless camera.*
With overall dimension of 112.6 x 69.9 x 45.3mm and body weight of 370g and 375g for the fp and the fp L, respectively, the Sigma fp family is the world’s smallest and lightest* full-frame mirrorless cameras. They are small enough to take for casual use, so you can enjoy the full-frame image quality for your everyday snaps.
*As of March 2021, by Sigma
L-Mount lenses.
The Sigma fp series uses the L-Mount*, characterized by a short flange focal length, large diameter, and superior durability. For interchangeable lenses, in addition to the wide-ranging choice of Sigma lenses, other manufacturers’ lenses can also be an option through the L-Mount Alliance with Leica Camera AG and Panasonic Corporation. With the Sigma MOUNT CONVERTER MC-21, Sigma SA mount and Sigma’s CANON EF mount lenses can be used, making the best out of one’s lens investment.
*The L-Mount Trademark is a registered Trademark of Leica Camera AG.
Transforming a Sigma fp to a webcam with just a USB cable.
By simply connecting it to a PC via USB, a Sigma fp camera can be used as a webcam. It will bring a stunning, full-frame image quality to live streaming and online communication including video conferencing.
Supporting 12bit CinemaDNG recording
Supporting Blackmagic RAW and ProRes RAW HDMI outputs as standard
Professional video interface
For raw video data, the Sigma fp series supports 12-bit CinemaDNG external recording. With 4K UHD/24fps recording, it produces video data that can be used even in filmmaking. It also supports Blackmagic RAW and ProRes RAW over HDMI recording, so you can choose one according to your workflow.
For the operation system, the Sigma fp series features a dedicated interface that supports commonly used cinema cameras, which means it can be taken straight to video production settings.
Dust and Splash Resistant Structure* / Large Heat Sink
A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.
The Sigma fp series is protected with the dust and splash resistant sealing on a total of 42 points over the camera body. Combined with a large-size magnesium heat sink that prevents overheating, the Sigma fp series is a reliable choice for shooting in a wide range of conditions as well as long hours of use.
*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.
Full-time electronic shutter
Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp series is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting in a sound-sensitive situation; shooting without ruining the ambience of the scene; and shooting with good response without missing the perfect shot. These types of shooting will open new horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp’s camera structure simpler, which in turn improves its reliability as a camera.
Cinemagraph / Fill Light / Color mode
In addition to a total of 15 color modes to choose from, the Sigma fp series features a number of functionalities such as Cinemagraph, which is animated GIF that is a hybrid between photography and video, and Fill Light, which is Sigma’s special light control function. These features specially created for the Sigma fp series will help you find your own style.
| Type | Interchangeable-lens Mirrorless Type Digital Camera |
|---|---|
| Memory Media | SD, SDHC, SDXC memory card (UHS-Ⅱ supported), Portable SSD (USB 3.0 connection, USB bus power supported) |
| Lens Mount | L-Mount |
| Image Sensor Type | 35 mm full-frame (35.9 mm x 23.9 mm) Back-illuminated CMOS sensor |
| Camera Effective Pixels / Total Pixels | Approx. 24.6 MP / Approx. 25.3 MP |
| Aspect Ratio | 3:2 |
| Color Filter System | RGB Primary color filter |
| Still Image File Format | Lossless compression RAW(DNG) data 12 bit, 14 bit / JPEG(Exif2.3), RAW(DNG)+JPEG: recording possible |
| Image Aspect Ratio | [21:9], [16:9], [3:2], [A Size (√2:1)], [4:3], [7:6], [1:1] |
| RAW (File Size) | HIGH : 6,000×4,000 (3,840×2,560) LOW : 3,008×2,000 (1,920×1,280) |
| JPEG (File Size) | [21:9] HIGH: 6,000×2,576 (3,840×1,648), MED: 4,240×1,824 (2,736×1,168), LOW: 3,008×1,288 (1,920×824) [16:9] HIGH: 6,000×3,376 (3,840×2,160), MED: 4,240×2,392 (2,736×1,536), LOW: 3,008×1,688 (1,920×1,080) [3:2] HIGH: 6,000×4,000 (3,840×2,560), MED: 4,240×2,832 (2,736×1,824), LOW: 3,008×2,000 (1,920×1,280) [A Size (√2:1)] HIGH: 5,664×4,000 (3,616×2,560), MED: 4,000×2,832 (2,560×1,824), LOW: 2,832×2,000 (1,808×1,280) [4:3] HIGH: 5,344×4,000 (3,408×2,560), MED: 3,776×2,832 (2,416×1,824), LOW: 2,672×2,000 (1,712×1,280) [7:6] HIGH: 4,960×4,000 (3,184×2,560), MED: 3,520×2,832 (2,272×1,824), LOW: 2,480×2,000 (1,584×1,280) [1:1] HIGH: 4,000×4,000 (2,560×2,560), MED: 2,832×2,832 (1,824×1,824), LOW: 2,000×2,000 (1,280×1,280) |
| Crop | Equivalent to approx. 1.5 times the focal length of the lens (for 35 mm cameras) |
| Color Space | sRGB, Adobe RGB |
| Camera Internal Record | Movie Format: CinemaDNG (8 bit, 10 bit, 12 bit), MOV: H.264 (ALL-I, GOP) Audio Format: Linear PCM (2 ch 48 kHz / 16 bit) Record Format / Frame rate: UHD 4K (3,840 x 2,160) / 23.98 p, 24 p, 25 p, 29.97 p; FHD (1,920 x 1,080) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p, 119.88 p Continuous Shooting Enable Time: Up to 2 hours |
| Cinema DNG Memory Media Limitation | SD Card (UHS-II): UHD 8 bit 25 p or less, FHD 12 bit 59.94 p or less Portable SSD: UHD 12 bit 29.97 p or less, FHD 12 bit 100 p or less, FHD 8 bit 119.88 p or less |
| HDMI External Output | Movie Format: 4:2:2 8 bit, 12 bit RAW (External recorder support: ATOMOS Ninja V, ATOMOS Ninja V+, ATOMOS Shogun CONNECT, Blackmagic Video Assist 12G) Audio Format: Linear PCM (2 ch 48 kHz / 16 bit) Record Format / Frame Rate: DCI 4K (4,096 x 2,160) / 24 p (RAW only), UHD 4K (3,840 x 2,160) / 23.98 p, 24 p, 25 p, 29.97 p; FHD (1,920 x 1,080) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p, 119.88 p |
| AF System / Focus Mode | Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus |
| AF Sensitivity Range / AF Mode | -5 to 18 EV (F1.4:ISO 100) / Auto, 49-point selection mode, Free Move mode, Face/Eye Detection AF mode, Tracking AF mode |
| AF Lock | Half-press the shutter button, or press the AEL button (setting change required) |
| Other Focus Functions | AF+MF, MF Magnification (Full Screen, PIP), MF Display, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification, Focus Ring Control (Non-linear, Linear) |
| Metering System | Evaluative, Spot, Center Weighted Average |
| Metering Range | -5 to 18 EV (50 mm F1.4:ISO 100) |
| Still Image Shooting Mode | (P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
| Movie Shooting Mode | (P) Program AE, (S) Shutter Angle/Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
| ISO Sensitivity (Recommended exposure value) | Base ISO: [Still] ISO 100, 640, [Cine] ISO 100, 3200 Settable Range: ISO 100-25600 / Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400 |
| Exposure Compensation | ±5 EV (in 1/3 stop increments) : ±3 EV at movie recording |
| AE Lock | Half-press the shutter button, or press the AEL button (setting change required) |
| Exposure Bracket | 3 shots, 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable) |
| Exposure Tool | Brightness Level Monitor (Waveform, Histogram ), Zebra Pattern, False Color (False Color, EL ZONE) |
| Image Stabilization System | Electronic system |
| White Balance | 12 types (Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature[50K steps], Custom 1, Custom 2, Custom 3) |
| Shutter Type | Electronic shutter |
| Shutter Speed | 30 to 1/8,000 sec., Bulb up to 300 sec. * Up to 1/4,000 sec. when using electronic image stabilization |
| Self Timer | 2 sec., 10 sec. (Countdown Indicator) |
| Drive Modes | Single Capture, Continuous, Self Timer, Interval Timer |
| Continuous Drive Speed | High Speed: approx. 18 shots/sec, Medium Speed: approx. 5 shots/sec, Low Speed: approx. 3 shots/sec |
| Number of Recordable Frames | HIGH: 12 frames, MED: 12 frames, LOW: 24 frames |
| Monitor Type / Coverage | TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots, Electrostatic capacitance system touch panel / Approx. 100% |
| Built-in Flash | - |
| Flash Mode | S-TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash |
| Optional Functions | Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization |
| Flash Exposure Compensation | Max. ±3 EV in 1/3EV step increments |
| Flash Sync. Speed | Max. 1/30 sec. (1/15 sec. or less at 14 bit RAW) |
| External Flash Support | Available when the HOT SHOE UNIT HU-11 (supplied with this product) is mounted. * S-TTL, Wireless support, X-sync. |
| Color Mode | 16 types (Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Warm Gold, Teal and Orange, Sunset Red, Forest Green, Powder Blue, FOV Classic Blue, FOV Classic Yellow, Duotone, Monochrome, Off) |
| Supported Cloud Connection Models | ATOMOS Ninja V+, ATOMOS Shogun CONNECT |
| Director’s Viewfinder Supported Cameras | ARRI, SONY, RED |
| Director’s Viewfinder Frame Guide | 1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2 |
| Director’s Viewfinder Custom Frame | Input (Sensor Area, Aspect Ratio), Offset, Style (4 styles), Line (1 to 10 px), Color (White, Black, Red, Yellow, Green, Cyan, Blue, Magenta), Shading |
| Other Functions | Save / Load Settings via QR code, Screenshot, Webcam, In-camera RAW development, Still image capture from recorded movie files, Cinemagraph, Fill Light, HDR shooting (Still, Cine), Still image shooting during movie shooting |
| Built-in Microphone / Speaker | Stereo Microphone, Monaural Speaker |
| Display Language | English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish |
| USB Terminal | USB3.1 GEN1 Type-C (supports Mass Storage, Video Class(UVC), Camera Control) |
| HDMI Terminal | Type D (Ver.1.4) |
| Remote | Also used as an external microphone terminal |
| Timecode Input | Also used as an external microphone terminal |
| External Microphone Terminal | Φ3.5 mm stereo mini jack (Plug-in power support) |
| Headphone Output Terminal | Φ3.5 mm stereo mini jack (can be connected when using the dedicated ELECTRONIC VIEWFINDER EVF-11) |
| Flash-synchro Terminal | Dedicated terminal (with HOT SHOE UNIT HU-11 (supplied with this product) mounted) |
| Dust and Splash Resistant Structure | Provided (Although this construction allows the lens to be used in light rain, it is not waterproof.) |
| Power | Li-ion Battery Pack BP-51 (Internal battery charge via USB terminal available, camera cannot be used while charging) |
| Number of Recordable Still Images | Approx. 280 images |
| Minutes of Recordable Continuous Shooting | Approx. 70 min. |
| Dimensions (W x H x D) | 112.6 x 69.9 x 45.3 mm / 4.4 x 2.8 x 1.8 in. |
| Weight | 422 g / 14.9 oz. (including battery and SD card), 370 g / 13.0 oz. (Camera body only) |
| Operating Temperature | 32 – 104 °F / 0 – +40 °C |
| Operating Humidity | 85 % or less (no condensation) |
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