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The ultimate portable, wide-angle mirrorless prime The I series Sigma 24mm F3.5 DG DN | Contemporary brings exceptional detail and beautiful bokeh.
Free your imagination with this incredible wide-angle prime for mirrorless cameras.
The Sigma I series introduces compact, beautifully designed, high-performance optics for mirrorless camera systems. In its first collection, Sigma introduces a 24mm wide-angle prime lens to the Contemporary lens line-up that offers excellent portability and versatility.
The all-new 24mm F3.5 DGDN | Contemporary offers a very compact design similar to that of the 45mm F2.8 DG DN | Contemporary. Despite its small size, there is no compromise on performance –it is capable of capturing the finest details as required when shooting on high resolution full-frame cameras.
With a very short minimum focus distance of around 10cm and a maximum reproduction ratio of 1:2, it enables photographers to shoot more freely, without worrying about the distance between the lens and the subject.
The robust and stylish I series lens body finish brings a more satisfying shooting experience. The 24mm F3.5 DG DN | Contemporary is a versatile prime that will become an extension of your creative vision.
To pick up today
Free
Our courier will deliver to the specified address
2-3 Days
Free
DHL courier will deliver to the specified address
2-3 Days
Free
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The Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.
One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 24mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.
Simultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.
Sigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born.
The high resolving power of the 24mm F3.5 DG DN | Contemporary covers the entire image from the center to the edges, which means photographers can rely on edge-to-edge sharpness at all apertures when shooting wide-angle scenes. With a minimum focus distance of around 10cm and a maximum reproduction ratio of 1:2, it enables photographers to explore a subject more freely, from capturing distant landscapes to photographing close-ups of smaller objects.
In addition to the attractive bokeh, it also gives photographers near-circular out-of-focus highlights, even at the edges of the frame. This helps create a close-up image of an in-focus subject with a blurred background, a technique that is very useful in a variety of settings.
The lens features the latest optical design optimized for mirrorless systems. This includes high-precision, glass-molded aspherical elements created with advanced processing technology, and SLD glass and high refractive index glass elements. Together they make it possible to combine high optical performance with compactness. In addition, the smooth focus drive system designed around a quiet and fast stepping motor also makes the 24mm F3.5 DG DN | Contemporary a desirable choice for shooting video.
The surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.

*Mold for aspherical glass molded lenses
All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability, which improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s cine lens line-up for professional cinematographers and provides an exquisite feel to touch as well as sound effects, making photographers want to reach for it and play with it over and over again.
With a pairing with the 45mm F2.8 DG DN | Contemporary in mind, the 24mm F3.5 DG DN | Contemporary is compatible with the same filter size of 55mm, with a matching outermost diameter and similar overall lengths. With a combined weight of only 440g / 15.5oz.*, these two lenses can be used in tandem as part of a high-spec and compact camera system that covers a wide range of shooting situations.
The I series lenses* are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.
*Except 45mm F2.8 DG DN | Contemporary

When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.
| Technology | Details |
| Stepping Motor | Enables smooth, quiet, and high-speed AF. Supports Face/Eye Detection AF and video AF. |
| Mount with Dust and Splash Resistant Structure | Incorporates rubber sealing to protect the mount from dust and water drops. |
| Super Multi-Layer Coating | Suppresses flare and ghosting by preventing reflections within the lens. Ensures images with outstanding contrast. |
| Aperture Ring | Designed to help users work intuitively. |
| Focus Mode Switch | Allows switching between AF and MF modes. |
| Linear Focus / Non-linear Focus (for L-Mount only) | Offers two focusing methods: – Non-linear focus: The focal point movement varies with the speed of the focus ring. – Linear focus: The focal point movement remains consistent regardless of the focus ring’s speed. |
| High-precision, Rugged Brass Bayonet Mount | Combines high precision with durability, enhancing the lens’s rugged construction. |
| Rounded Diaphragm | Produces attractive bokeh with rounded out-of-focus light points when opened to near maximum aperture. |
| Exclusive Low-Dispersion Glass | Uses ELD, SLD, and FLD glass to reduce chromatic aberration. FLD glass offers ultra-low dispersion, high transmittance, and excellent anomalous dispersion characteristics. |
| Lens Construction | 10 elements in 8 groups, with 1 SLD glass and 3 aspherical lenses. |
| Compatibility |
– High-speed autofocus – Lens-based optical correction – DMF, AF+MF – Inner focus – Compatible with Sigma USB DOCK UD-11 (sold separately, for L-Mount only) |
| Lens Hood | Petal Type Lens Hood designed to minimize flare and ghosting. |
| Diaphragm | 7-blade rounded diaphragm for smooth bokeh effects. |
| High-precision, Durable Brass Bayonet Mount | Provides durability and strength for long-term use. |
| Specification | Details |
| Camera Type | Mirrorless |
| Corresponding Mount | L-Mount, Sony E-mount |
| Sensor Format | Full-frame [DG] |
| Lens Construction | 10 elements in 8 groups |
| Angle of View | 84.1° |
| Number of Diaphragm Blades | 7 (Rounded diaphragm) |
| Minimum Aperture | F22 |
| Minimum Focusing Distance | 10.8cm / 4.3in. |
| Maximum Magnification Ratio | 1:2 |
| Filter Size | φ55mm |
| Dimensions (Diameter × Length) | L-Mount: φ64mm x 48.8mm / φ2.5in. x 1.9in. Sony E-mount: φ64mm x 50.8mm / φ2.5in. x 2.0in. *The length of a lens is measured from the filter surface to its mount. |
| Weight | L-Mount: 225g / 7.9oz. Sony E-mount: 230g / 8.1oz. |
| Edition Number | C021 The three-digit code on the surface of the lens indicates the year the lens was first released. |
| Supplied Accessories | ・Magnetic metal lens cap LCF55-01M ・LENS HOOD LH576-01 ・FRONT CAP LCF-55mm III ・REAR CAP LCR II |
| Mount / Product Barcode | L-Mount: 00-85126-40469-7 Sony E-mount: 00-85126-40465-9 |
| Camera Compatibility | LINK |
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